Mr. Ekkehard Altenburger

Assistant Professor

Ekkehard Altenburger studied sculpture at the University of the Arts, Bremen, Germany and Edinburgh College of art in Scotland. He graduated in 1999 with an MA from Chelsea College of Art  (University of the Arts) in London. Prior to his academic studies, he worked as a master mason at the Gothic Cathedral of Schwabisch Gmund in South Germany. In 2000, he established his studio at APT studios in London, where he worked successfully as a contemporary sculptor.

He has been a guest lecturer at Canterbury College of Art and Kingston College and has taught internationally as guest Professor at the University of the Arts, Bremen and Saima University of Applied Sciences, Finland. Altenburger was a resident artist at the Sculpture Space in Utica/NY in 2005 and had a research residency at Saimaa University of Applied Sciences in 2015. He has been appointed as Assistant Professor of Sculpture in Academy of Visual Arts, HKBU in January 2017.


Architecture has always influenced his work, which was the main reason for moving to London, to develop a practice very much inspired by the city that constantly inspires, challenges and informs his work. Meeting and filming the then 94-year-old Brazilian architect Oscar Niemeyer in 2001 in his Office at the Copacabana left a lasting influence.

His work explores the physical balance of the built environment, using architectural references as well as sculptural volumes of physical material. This balance is also represented in the relationship between form and surface of a sculpture. Altenburger often uses texture and colour to manipulate surfaces, adding a further layer of information to a sculptural form.

Altenburger usually works in heavy materials, mainly steel and stone. Due to the scale of his works, Altenburger regularly works with quarries and Granite / Marble factories as well as metal fabricators throughout Europe and has excellent knowledge about current and traditional production methods in sculpture. Over the past decade, he extended his work into prints and drawings on paper, which accompany his sculptural works.

Many of his productions are in the public domain; he has developed site-specific sculptural works and large-scale urban placemaking projects both in the UK as well as mainland Europe and Central America.

Examples of Works in public domain, public and private collections include:

Thoughts in a Banked curve,   Volkswagen Financial Services UK (2016)

House for a Gordian Knot, University of Nottingham UK (2014)

Sophrosyne I, Harlow Arts Trust UK (2010)

Sophrosyne II, Guatemala City, Museum of Contemporary Art, Guatemala (2010)

Negative Falls with Thames stone, Grosvenor Waterside London Chelsea&Westminster UK (2007- 2010)

Give & Take, Schoepfheim/ Lucerne  (Switzerland) (2007)

Plus One , APT Gallery , London

Royal Academy Summer Exhibition, Royal Academy, London
Touchstone, APT Gallery, London
Focus Skulptur,, Dottingen (swizerland)

Sculpture in the city, City of London
Royal Academy Summer show 2016, Piccadilly, London
Taking Shape, Cube Gallery London
Cheeseburn Sculpturepark 2016 (Northumberland, UK)

SCULPTURAL2015, Coombe Trenchard, West Devon
Visual Arts Award, Sala Brazil, Embassy of Brazil, London
Sculpture in the city, City of London
LARES, Saima University, Lappeenranta, Finland (s)

STEIN, Gallery Flut, HFK Bremen (s)
On Form, Asthall Manor Oxfordshire
ArtKapsule @ Koleksiyon, Design festival Clerkenwell, London
SWITCH, Pulchri Gallery Den Haag NL

Royal Academy Summer show 2013, Royal Academy Piccadilly, London
A Change of Heart, Royal Botanic gardens, Leicester University and Richard Attenborough Centre
Drawing the Line, Koleksiyon, Clerkenwell, London

THE BUTTERFLY EFFECt, Koleksiyon, Clerkenwell, London
Royal Academy Summer show 2012, Royal Academy Piccadilly, London
On Form, Asthall Manor, Oxfordshire
BOXENSTOP, Kulturtankstelle Doettingen, Swizerland

Royal Academy Summer show, Royal Academy Piccadilly, London
Print Out, Richard Attenborough centre, Leicester
Sculpture @ Glyndebourne Opera, Glyndebourne
H2O Chelsea Future Space, London
Project-Ion, APT gallery London (s)
Skulpturenausstellung, Museum Rehmann (Switzerland)

Carlos Woods Arte (Guatemala City) (s)
Herbert Read gallery Canterbury
Jerwood drawing Price 2009 – Jerwood Gallery and touring throughout the UK
PUBLIC PROPOSALS, Chelsea future space London
DIALOGUE Harlow / Newhall ZigZag Building


– Corporate mentality- Alexandra Mir and John Kelsey, 2003 (ISBN 0-9711193-1-7)

– Sculpture space (The book), Utica, New York, 2005  (ISBN 97809795596902)

– Highjack Reality, Deptford X, London 2008  (ISBN 978-0-9547071-2-5)

– Jerwood drawing prize, London, 2009  ( ISBN 978-0-9563570-0-7  JCF)

– Grosvenor Waterside, Cultural Placemaking  (by Jean Wainwright, UCA) produced by FUTURECITIES,  2011  (ISBN 978-0-9565690-0-4)

– Art/Laser/Lares, Saimaa University of Applied Sciences,  2015  (ISBN 978-952-7055-21-2)

– Nanotecture, Phaidon (small-scale architecture)   (ISBN 9780714870601)

– 25 Jahre Video Kunst Forderpreis Bremen, Senator für Kultur, Bremen, pp.112-113

2015     Laser art residency, Saimaa University of Applied Sciences, Finland

2005     Sculpture Space  (New York / Utica) residency programme

2003     London Visual Arts grant

2002     Royal Society of British Sculptors Bursary award

2000/2001           Year of the artist residency programme /London

1999     Video award Bremen 1999

1998/1999           DAAD (German Academic Exchange programme) award  Bonn/London

All my teaching is informed by 35 years of constant learning. A trained craftsman, combined with nine years of academic education in three different countries and two decades of working as a practising artist in London give me a solid platform to base my teaching on. Curiosity and the willingness to constantly evolve as an artist is essential to both teacher and student. Sculpture now is at an interesting crossroads, with materials and methods constantly evolving, students will be challenged to develop their own artistic language based on traditional as well as contemporary skills and technologies. Sculptors and architects have shaped our urban environs, and I will encourage students to become an active part in a discourse as to how humans will shape both the cultural as well as the urban landscape in the future.